Author Archive

Zen and the Art of Analog Summing

Zen and the Art of Mixing is a great read. Mixerman (AKA Eric Sarafin) has a knack for writing about a subject that normally defies the written word. However, there was one part of the book that really got my goat when I read it, and here I am, six months later, my goat still got. It can all be boiled down to this quote:

I can’t tell you why. I can’t tell you how. I can’t even prove what I’m about to tell you, and I can assure you that the DAW manufacturers, particularly Digidesign, will not only reject this claim but will actively try to persuade you otherwise through flawed white papers that most of you can’t understand and bogus comparisons that most of you wouldn’t know are bogus.

All DAWs bog down at the 2-bus.

For a book that proclaims, through its back cover blurb from Ken Scott, to teach “the Art [sic] of great mixing, not the pseudoscience,” that’s an awfully pseudoscientific claim.

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Get Your Addictive Drums Fix for Less

Sweden’s XLN Audio has dropped the price of Addictive Drums, which is great news, because Addictive Drums is, in this writer’s humble opinion, the best fake real drums plugin out there. And I’ve pretty much used ’em all.

Of course, no plugin will ever be able to recreate the energy of a guy (or a gal), in a room, banging on stuff, but when you gotta bite the bullet, this is the bullet to bite. Intuitive, responsive, polished, stable, and it sounds fantastic. As soon as they add a drum replacement feature (and really, why wouldn’t they?), it’s game over. (Via ProToolerBlog.)

Logic Pro, Why Must You Be So Illogical?

As much as I want to love it unconditionally, there are things about Logic Pro 9 that drive me nuts. Every time I fire up a session, I find another little corner of the software that makes a tiny burst of steam escape from my ears. Let me make a brief(ish) list:

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Beware the Skeuomorphic Rabbit Hole

I recently watched a video touting the new Studer® A800 Multichannel Tape Recorder plugin from Universal Audio. It features a surprisingly mediocre soundtrack, enough marketing hype to make Don Draper blush, and a bunch of talented audio engineers waxing poetic about a digital recreation of a 34-year-old electromechanical device. And as I watched it, something struck me: Those spinning tape reels are ridiculous.

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